AI Image Editor
Repair wardrobe, shoreline and light on frames that are almost right. One change per job, 21 credits, originals preserved.
Repair the frame, do not rewalk the coast
Every atlas has pages that are nearly right. The pose holds, the dusk is true, but the dress belongs to another pack, or the terrace should have been a harbour, or the light reads noon when the set lives at sunset. The editor exists for exactly those frames. State the change in plain words — wardrobe, shoreline, hour of light, a single detail — and the frame is re-rendered with that change made and everything else left standing on the shore where it was. Editing costs 21 credits a job, shown before you confirm, and the original is never touched: it rests in your account beside its repair, like two surveys of the same cove.
The discipline that makes editing cheap is the discipline of one. One change per job keeps the rest of the frame still and the fare predictable. Ask for a new dress, a new shore and a new hour in a single instruction and you have not commissioned an edit — you have commissioned a regeneration and paid an editor’s fare for it, with a drifting woman as the likely souvenir.
The working rhythm
Choose frames worth the repair
Strong bones, wrong details. A frame whose composition has failed costs more to repair than to remake at the generator, and pride is a poor reason to spend editor credits.
One change per job
Name the single alteration and explicitly protect everything else. The words “keep exactly” cost nothing and quietly do most of the work.
Compare side by side, keep the better
Original and repair rest together in your account. Ship the winner; the other asks nothing further of you.
Repairs most often asked
One pose, three evenings out
The same stance dressed for three different packs — the fastest multiplication a catalogue on this coast knows.
The scene moved along the coast
Cliff terrace to harbour steps to bare studio wall, without moving the woman or the light that holds her.
The hour changed
Midday re-graded to golden hour, flat light deepened to dusk — a frame tuned to sit quietly among the set it is joining.
Instructions that hold
“Change the cream lingerie to deep burgundy lace. Keep the pose, the auburn waves and the dusk light exactly as they are.”
The change is named and everything else is placed under protection. Naming what must not move is what stops a repair becoming a new woman.
“Move the scene to worn harbour steps at last light, boats behind her. The subject, her outfit and her pose do not change.”
One stretch of coast, moved once. A new shore, a new dress and a new pose in one job is a new photograph and should be briefed at the generator as one.
Edit, or make again?
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the bones and costs less than a rewalk |
| The composition itself has missed | Remake the frame at the generator with a corrected brief |
| One keeper, three packs waiting | Edit three times from the one keeper |
Can I edit for free?
Registration is free and the daily check-in gives 6 credits — one standard generated frame a day on the house. Edits are priced per job at 21 credits, shown before you confirm.
How much does an edit cost?
21 credits per job, shown before you confirm. Repairing a keeper is normally cheaper than remaking and re-judging a whole set.
Does an edit replace my original?
No. The repair is a new frame. The original rests untouched beside it, and both remain yours.
How many changes may one job carry?
One. Stacked changes unsettle precisely the parts you asked to keep, and the frame drifts off its own coastline.
The edit missed. What now?
Narrow the instruction and name what must stay identical. Vagueness is the usual cause of a wandering repair.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator